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Published November 28, 2019

Naples & Pompeii

This post is the third in a series of seven about my week-long Mediterranean cruise earlier in the year.

After setting off from Barcelona, our cruise had a day at sea while we made our way from Spain all the way to Italy. We spent that time enjoying the ship’s amenities and doing photo walks. The next day, our first stop was Naples.

Right after docking, we immediately left the ship and took a Circumvesuviana train to the Pompei Scavi station. Then, a short walk later, we were at the entrance to the Pompeii archeological area. We had been so efficient in our journey from the ship to Pompeii that we arrived there before it opened.

After some waiting, we purchased tickets and were among the first people that day to visit. Getting there early ended paying dividends later in the day as the park became hotter and more crowded by the hour.

L1030570 Pompeii · Leica Q ·f/3.2 · 1/200 · ISO 100

L1030591 Pompeii · Leica Q ·f/5.6 · 1/1600 · ISO 100

Walking around the remains of the ancient city left me with an eerie feeling. Most ancient structures in other places tend to be massive and monumental. They usually have social, spiritual, or military purposes, like Mayan pyramids or the Great Wall.

In Pompeii, we saw all aspects of everyday life preserved. Before visiting, whenever I heard the name “Pompeii”, I immediately thought of Mount Vesuvius and the immense destruction it caused.

Being in there in person, I saw the ruts carved by wagon wheels, grooves for sliding doors in front of stores, graffiti on wallas and ovens similar to pizza ovens of today. They reminded me not of destruction but of the incredible amount of life that used to be there.

L1030597 Pompeii · Leica Q ·f/11 · 1/200 · ISO 100

In an ironic twist of fate, the destruction that Vesuvius brought down is what prevented Pompeii from following the outcomes of most other Roman cities. Otherwise, it would have likely continued on as a living city, and its ancient structures would have been replaced over the centuries. The ash entombed it until excavations began more than a millennium later.

Unfortunately, It’s these excavations that may one day seal Pompeii’s fate in a way that Vesuvius couldn’t in AD 79. Pompeii is starting to erode and fall apart and will likely be in grave danger without more attention and care.

I’m happy I had a chance to visit, but I hope I didn’t contribute to its further decay.

L1030605 Pompeii · Leica Q ·f/16 · 1/250 · ISO 100

L1030610 Pompeii · Leica Q ·f/1.7 · 1/3200 · ISO 100

L1030611 Pompeii · Leica Q ·f/1.7 · 1/10000 · ISO 100

L1030621 Pompeii · Leica Q ·f/11 · 1/320 · ISO 100

L1030622 Pompeii · Leica Q ·f/11 · 1/60 · ISO 125

L1030624 Pompeii · Leica Q ·f/11 · 1/500 · ISO 100

L1030627 Pompeii · Leica Q ·f/8 · 1/200 · ISO 100

L1030632 Pompeii · Leica Q ·f/5.6 · 1/2000 · ISO 100

L1030636 Pompeii · Leica Q ·f/4 · 1/2500 · ISO 100

L1030641 Pompeii · Leica Q ·f/9 · 1/250 · ISO 100

L1030648 Pompeii · Leica Q ·f/16 · 1/60 · ISO 500

L1030654 Pompeii · Leica Q ·f/1.8 · 1/1250 · ISO 100

L1030662 Pompeii · Leica Q ·f/2 · 1/250 · ISO 100

L1030665 Pompeii · Leica Q ·f/1.8 · 1/16000 · ISO 100

L1030667 Pompeii · Leica Q ·f/1.8 · 1/16000 · ISO 100

L1030674 Pompeii · Leica Q ·f/2.8 · 1/6400 · ISO 100

L1030675 Pompeii · Leica Q ·f/2.8 · 1/5000 · ISO 100

L1030678 Pompeii · Leica Q ·f/2.8 · 1/8000 · ISO 100

L1030679 Pompeii · Leica Q ·f/2.8 · 1/125 · ISO 100

L1030697 Pompeii · Leica Q ·f/10 · 1/250 · ISO 100

L1030700 Pompeii · Leica Q ·f/5.6 · 1/2000 · ISO 100

L1030706 Pompeii · Leica Q ·f/11 · 1/60 · ISO 200

L1030708 Pompeii · Leica Q ·f/11 · 1/125 · ISO 100

L1030712 Pompeii · Leica Q ·f/16 · 1/200 · ISO 100

L1030713 Pompeii · Leica Q ·f/14 · 1/250 · ISO 100

L1030719 Pompeii · Leica Q ·f/1.7 · 1/60 · ISO 800

L1030733 Pompeii · Leica Q ·f/1.7 · 1/200 · ISO 100

L1030737 Pompeii · Leica Q ·f/1.7 · 1/4000 · ISO 100

L1030738 Pompeii · Leica Q ·f/4.5 · 1/3200 · ISO 100

L1030743 Pompeii · Leica Q ·f/6.3 · 1/1250 · ISO 100

L1030747 Pompeii · Leica Q ·f/6.3 · 1/60 · ISO 200

L1030750 Pompeii · Leica Q ·f/9 · 1/800 · ISO 100

L1030755 Pompeii · Leica Q ·f/10 · 1/125 · ISO 100

Naples

After spending most of the day in Pompeii, we returned to Naples for a late lunch. While taking Naples’ public transit, we noticed that the architecture of the metro and train stations in Naples is quite unique.

L1030771 Naples · Leica Q ·f/4.5 · 1/500 · ISO 100

The wireframe-like pergola of Piazza Garibaldi station designed by Dominique Perrault immediately caught our eyes. The forms and colors made a strong visual statement while still functioning well as a public space.

L1030776 Naples · Leica Q ·f/4 · 1/320 · ISO 100

L1030777 Naples · Leica Q ·f/4 · 1/1600 · ISO 100

L1030779 Naples · Leica Q ·f/5 · 1/125 · ISO 100

L1030785 Naples · Leica Q ·f/2.8 · 1/800 · ISO 100

L1030788 Naples · Leica Q ·f/4 · 1/800 · ISO 100

L1030811 Naples · Leica Q ·f/1.7 · 1/60 · ISO 400

Municipio station, designed by Pritzker Prize-winning architects Álvaro Siza and Eduardo Souto de Moura, is my favorite station. Its walls are cut away in areas to expose archeological finds in situ.

L1030818 Naples · Leica Q ·f/1.7 · 1/100 · ISO 100

L1030825 Naples · Leica Q ·f/1.7 · 1/160 · ISO 100

L1030827 Naples · Leica Q ·f/1.7 · 1/125 · ISO 100

L1030830 Naples · Leica Q ·f/1.7 · 1/100 · ISO 100

L1030833 Naples · Leica Q ·f/1.7 · 1/60 · ISO 320

L1030858 Naples · Leica Q ·f/8 · 1/200 · ISO 100

L1030864 Naples · Leica Q ·f/11 · 1/250 · ISO 100

L1030865 Naples · Leica Q ·f/11 · 1/200 · ISO 100

L1030869 Naples · Leica Q ·f/11 · 1/100 · ISO 100

L1030885 Naples · Leica Q ·f/14 · 1/250 · ISO 100

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